Las óleos de todo Raimundo de Madrazo y Garreta
ID Image  Painting (From A to Z)       Details 
28790  
Raimundo de Madrazo y Garreta, A Gypsy
  		 A Gypsy   mk61 Oil on canvas 65x49cm
97290  
Raimundo de Madrazo y Garreta, Florentika
  		 Florentika   1930(1930) Medium oil on canvas Dimensions 96.7 X 63.4 cm cyf
97287  
Raimundo de Madrazo y Garreta, Kostanjevica
  		 Kostanjevica   1930(1930) Medium oil on canvas Dimensions 54.6 X 65.8 cm cyf
11863  
Raimundo de Madrazo y Garreta, Marquise d' Hervey Saint-Denys
  		 Marquise d' Hervey Saint-Denys   1888 4' 4 3/4'' x 2' 8 3/4''(134 x 83 cm)Bequest of Mrs.d'Adelsward-Pourtales,1934
97288  
Raimundo de Madrazo y Garreta, Piknik
  		 Piknik   circa 1931(1931) Medium oil on canvas Dimensions 44 X 62.8 cm cyf
28791  
Raimundo de Madrazo y Garreta, The Model Aline Masson with a White Mantilla
  		 The Model Aline Masson with a White Mantilla   mk61 Oil on canvas 65x52cm
97291  
Raimundo de Madrazo y Garreta, Toskanski motiv I
  		 Toskanski motiv I   circa 1930(1930) Medium oil on canvas Dimensions 56.3 X 46.1 cm cyf
97292  
Raimundo de Madrazo y Garreta, Toskanski motiv III
  		 Toskanski motiv III   circa 1930(1930) Medium oil on canvas Dimensions 48.7 X 60.9 cm cyf
71890  
Raimundo de Madrazo y Garreta, Versailles, le jardin du Roi
  		 Versailles, le jardin du Roi   1914-1920 Oil on canvas 17 x 30 cm
Raimundo de Madrazo y Garreta
Spanish realist Painter , 1841-1920 Son of Federico de Madrazo y K?ntz. Because of his ability and training with his father, Federico, in the Real Academia de S Fernando in Madrid and with L?on Cogniet in Paris, he seemed destined to continue the family tradition of academic painting. However, due to the influence of the Belgian Alfred Stevens, of his brother-in-law, Mariano Jos? Bernardo Fortuny y Marsal, and the Parisian environment, he exchanged dry historical painting (e.g. Arrival in Spain of the Body of the Apostle St James, 1858, and Ataulfo, 1860) for the preciousness of the tableautin, the small, intimate genre painting. He lived in Paris and New York and became so remote from Spanish artistic life that he and Fortuny y Marsal were the only Spanish artists not to participate in any national exhibition, and because of this the Spanish state never directly acquired their works. In 1882, with Giuseppe De Nittis, Stevens and the gallery owner Georges Petit, he co-founded the Exposition Internationale de Peinture, designed to promote foreign artists in Paris. Madrazo Garreta's most characteristic works are the female portrait and the witty and elegant genre painting, with soft, delicate tones and suggestive poses. The influence of the Rococo and of Japanese art is reflected in his painting, which expresses an exquisite aristocratic or bourgeois ideal, the illusion of a refined, sensual and superficial life. Consequently,



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